Saturday, December 31, 2016

Top 20 Most Anticipated Films of 2017

20. The Kidnapping of Edgardo Mortara

Synopsis: Recounts the story of a young Jewish boy in Bologna, Italy in 1858 who, having been secretly baptized, is forcibly taken from his family to be raised as a Christian. His parents' struggle to free their son becomes part of a larger political battle that pits the Papacy against forces of democracy and Italian unification.
Starring: Oscar Isaac, Mark Rylance (no further confirmations at the time of this writing)
Director: Steven Spielberg
Release: TBD

You will begin to notice a theme developing with this list as we proceed towards number one. Oftentimes, my excitement towards a film rises and falls due to its star power or lack thereof. There are certain actors, directors, and screenwriters whose work has become a part in defining my cinematic fandom, and The Kidnapping of Edgardo Montara completes that personal movie trinity. Oscar Isaac is one of my favorite up and coming actors thanks to his work on such smaller films as Ex Machina and Inside Llewyn Davis as well as being integral in the biggest blockbuster of all-time: Star Wars: The Force Awakens. He is a deftly talented actor that continues to improve upon every film he stars in, and the prospect of him working with Steven Spielberg is extremely enticing. Speaking of Spielberg, he holds the pole position on my list of Hollywood's best directors (and he's also my personal favorite), and whenever he decides to tackle dramatic stories in the twilight of his legendary career, we have been exponentially rewarded. While Spielberg continues to churn out blockbusters as well, his modern filmmaking also consists of such classic dramatic films as Lincoln and Bridge of Spies, so Spielberg telling a story such as this one could produce yet another classic in his filmography. Plus, the screenplay for Edgardo Mortara is being penned by the incomparable Tony Kushner, who previously collaborated with Spielberg on Munich and Lincoln to great success. Kushner simply has a knack for telling tremendous stories through terrific characterization and drama, so when his talents combine with Spielberg, movie magic is sure to follow. The only reason this film is not listed higher on this list is because it is uncertain whether or not it will actually be released in 2017. Even with the uncertainty, I had to include it because even the possibility of a new Spielberg film deserves recognition.

19. Kong: Skull Island

Synopsis: An action/adventures story centered on Kong's origins.
Starring: Tom Hiddleston, Brie Larson, Samuel L. Jackson, John Goodman
Director: Jordan Vogt-Roberts
Release: March 10

King Kong has been around Hollywood for nearly a century, and yet, audiences seemingly cannot get enough of this cinematic icon. The prospect of learning about Kong's origins in this new installment in his story is intriguing, and certainly, based on the insanely awesome trailer, the action and set pieces are sure to be absolutely crazy as is the case with all Kong films. However, it is this film's cast that has me highly anticipating the arrival of March 10. Hiddleston has become a worldwide star primarily due to supporting turns in the Marvel Cinematic Universe, but now, he gets a chance to be the guy in this film. He is more than capable of being an action star, in my opinion, and I cannot wait to see how he ushers in this brand new era of his career. Larson is quickly becoming one of my favorite actresses in the business thanks to her work on such films as Short Term 12 and Room (for which she deservedly won the Academy Award). Like Hiddleston, she is embarking on a new career path with Skull Island as well as she transitions from independent film wonder to global superstar with this film and Captain Marvel gearing up soon. She can do no wrong in my book, so anything she is in will have me excited. The venerated veterans Jackson and Goodman are cinematic treasures, and how the filmmakers convinced them to star in this movie is beyond me, but I am so glad they signed on the dotted line because anytime we can witness these legends at work is an absolute blessing and a treat. While I am pumped to see this cast at work. I completely know and understand why people will ultimately pack theaters worldwide to see this film, and that is for the action. To them, I say that I am right there with you.

18. Logan

Synopsis: In the near future, an aging Wolverine and Professor X must protect a young female clone of Wolverine from an evil organization led by Nathanial Essex.
Starring: Hugh Jackman, Patrick Stewart, Boyd Holbrook, Stephen Merchant
Director: James Mangold
Release: March 3

In the ever changing world of superhero movies, it is quite the accomplishment what Hugh Jackman has done with the character of Wolverine for going on seventeen years. He has single-handedly made the X-Men franchise a relevant staple in Hollywood as he has forged Wolverine's path to becoming a cinematic icon. However, as the old adage goes, all good things must come to an end, and Jackman's turn as Wolverine is no exception. Jackman claims this will be his final entry as this character, so that fact alone is enough to get me excited. His Wolverine was one of the first comic book characters I can remember watching in a movie, and I was instantly transfixed. I partially owe my superhero fandom in its entirety to Jackman, so I almost feel obligated to pay my respects to Logan as his final ride. Beyond that, though, I am also really excited about seeing Patrick Stewart bring Professor X to life for potentially the final time. Alongside Jackman, Stewart has created an icon in cinema with this character, and to witness these two legends, both literally and fictionally, work side by side for the final time in this film is wholly worthwhile. The reason Logan does not find itself higher on this list is because of the filmmaker's insistence on receiving an R-rating. I am not crazy about adding violence just for the sake of adding more violence, especially when we have seen successful Wolverine films without an excess amount of blood. However, it is what it is, and Jackman seems to be totally on board with this concept, so I must follow suit.

17. The Fate of the Furious

Synopsis: When a mysterious woman seduces Dom into the world of crime and a betrayal of those closest to him, the crew face trials that will test them as never before.
Starring: Vin Diesel, Dwayne Johnson, Charlize Theron, Jason Statham
Director: F. Gary Gray
Release: April 14

The Fast and Furious franchise is truly a cinematic wonder for its counter cultural trajectory since its beginnings. In 2001, the world was first introduced to Dom Torreto and company to mild critical and box office success as the film proceeded to spawn three lackluster sequels that ultimately became punchlines in the industry. However, in 2009, Fast & Furious was released, a pseudo-reboot of the franchise with the same characters but a drastically improved story with even more insane action sequences. This film led to three more sequels that were both critically acclaimed and financial successful as this now sixteen year old franchise is as popular as ever with no signs of slowing down anytime soon. Luckily, I came on board with this franchise in 2011 with Fast Five and I have been hooked ever since. Now, I could go on to talk about how much I have grown to love these characters (I bawled in the final scene of Furious 7 as Paul Walker drives off into the sunset), and I could also discuss the invaluable theme of family woven throughout each installment. However, we all know the reason we keep coming back to this franchise for more: the crazy action sequences that continue to grow in insanity with each film. If this film's first trailer is any indication, F. Gary Gray (who is coming off the tremendous success of Straight Outta Compton) has crafted a film filled with the world's best action stars acted out the next batch of bizarre stunts. Plus, the newest addition to the cast is extremely intriguing as Charlize Theron is coming off as a fantastic villain already, and with Johnson, Statham, and Kurt Russell returning alongside Diesel, Jordana Brewster, Tyrese Gibson, and Ludacris, this one should be a ton of fun.

16. Cars 3

Synopsis: Lightning McQueen sets out to prove to a new generation of racers that he's still the best race car in the world
Starring: Owen Wilson (no further confirmations at the time of this writing)
Director: Brian Fee
Release: June 16

If you have read the posts on this blog at any point in your life, it probably did not take you long to realize that I am a huge fan of Pixar Animation Studios. If they are releasing a film, regardless of what it may be, I am all in with my anticipation. Pixar is the standard in the animation business for a reason, and that is because they continually produce classic after classic year in and year out. However, I must admit that my excitement for their next film is down compared to their previous titles and this film's successor due for release in November of 2017 (keep reading for that one). I really like Cars from 2006; I think it is a movie that everyone wants to hate but actually secretly likes, but its sequel is another story entirely. I despise Cars 2 as Pixar unfortunately fell into the trap of seeing dollar signs over a worthwhile story. The primary reason Cars 3 finds itself lower on this list than most Pixar films ever do or will is because of its predecessor, admittedly. My fear is that Pixar is ready to watch the merchandising money roll in yet again instead of focusing on the characters and their stories, but I must confess to possessing a bit of optimism for this film, and it is all because of its first trailer. It displayed something new and fresh for the franchise with a totally different tone and story. Albeit in merely forty-nine seconds, it seems as if Pixar has a solid direction with this film and, most importantly, the film has refocused on Lightning McQueen instead of any sidekicks of his and are gearing up to tell a story that is interesting and worth telling. That is what Pixar does best when it is all said and done, anyway, so while my trepidation is present, it is still impossible for me to not be excited about a new Pixar film.

15. The Circle

Synopsis: A woman lands a job at a powerful tech company called the Circle, where she becomes involved with a mysterious man.
Starring: Emma Watson, Tom Hanks, John Boyega, Karen Gillan
Director: James Ponsoldt
Release: April 28

As I have previously stated, I am often attracted to movies solely based on the star power involved, and with The Circle, three of my favorite actors working today are all in one film ready to bring a very intriguing plot to life. Tom Hanks remains my favorite actor of all-time after turning in classic performance after classic performance year in and year out. Emma Watson is a talent to behold as evidenced by her tremendous work in the Harry Potter franchise (and the fact that she appears on this list twice), and John Boyega is coming off the immense success of Star Wars: The Force Awakens, where he (along with the incomparable Daisy Ridley) steal the show from start to finish. Director James Ponsoldt is best known for his ability to infuse solid drama with excellent dialogue in such films as The Spectacular Now and The End of the Tour. He should have no problem directing these fine actors in what should be a great film. I am currently in the midst of reading the source material, the novel by Dave Eggers, and it is a fascinating read that I simply cannot read quick enough, so that is certainly an encouraging fact. This film actually made my 2016 version of this list, coming in at number ten. However, due to a scheduling shuffle, The Circle found its way onto the 2017 calendar, and it took a tumble down this list not because of its lack of merit (because it has plenty), but because of the overabundance of potentially awesome movies coming out in 2017. Don't let this reshuffle in the schedule and my list fool you: I am pumped for The Circle.

14. Justice League

Synopsis: Fueled by his restored faith in humanity and inspired by Superman's selfless act, Bruce Wayne enlists the help of his newfound ally, Diana Prince, to face an even greater enemy.
Starring: Ben Affleck, Gal Gadot, Ezra Miller, Henry Cavill
Director: Zack Snyder
Release: November 17

Going into 2016, I listed Batman v. Superman: Dawn of Justice, the unofficial beginning of the DC Extended Universe, as my number three most anticipated film of the year. I was excited beyond belief to see two cultural icons share the silver screen together, and when I left the theater after my first viewing, the nerd euphoria was immense and palpable. However, when I revisited the film a second time as the high of just seeing the finished product had tampered off, I came to the realization that many fans around the world came to much quicker: Batman v. Superman is just not a very good movie. Now, it is not the worst thing to ever strike cinema as some critics and fans may claim, but that does not diminish the fact that there is very little redeemable content to found in the film (with the exception of Gadot's Wonder Woman and Affleck's fresh new take on Bruce Wayne/Batman...both are fantastic). I must confess that this is the reason why Justice League finds itself lower than most comic book films on this list and previous ones as well. The DCEU currently boasts Man of Steel, Batman v. Superman, and Suicide Squad, and for the most part, all have been massive disappointments, so the track record indicates that Justice League could very easily follow suit. It brings back the same cast (with a few exciting additions) and, perhaps most noteworthy, Zack Snyder returns to the director's chair, much to the chagrin of fans and myself alike because he has displayed zero ability to deliver a high quality movie, especially on a Justice League-size scale. So why does this one even make this list in the first place? Admittedly, it is a little bit of a default setting. I love comic book movies, and when superheros band together, my anticipation rises regardless of the film's predecessors. My excitement from this film stems from what they managed to get right in BvS, such as Gadot and Affleck, and the encouraging first trailer that was surely promising. I am skeptical about this film, but I am hoping that Warner Brothers, DC, and Zack Snyder learned from their mistakes and have taken the appropriate steps to correct them. Please, give me a good Justice League movie.

13. Pirates of the Caribbean: Dead Men Tell No Tales

Synopsis: Captain Jack Sparrow searches for the trident of Poseidon.
Starring: Johnny Depp, Javier Bardem, Orlando Bloom, Geoffrey Rush
Director: Joachim Rønning and Espen Sandberg
Release: May 26

As was the case for Justice League, my excitement for the next installment in the lucrative Pirates of the Caribbean franchise is akin to cautious optimism. I must preface my comments by acknowledging my love for the original trilogy. The Curse of the Black Pearl is a genuine classic and Dead Man's Chest and At World's End are vastly underrated in my opinion, but On Stranger Tides was rather forgettable as Disney seemingly took the same approach that Pixar took with Cars 2 as dollar signs ruled above all (note to film studios: that never results in a quality product). My hope, and primary reason for excitement, is that Disney has found a story worth telling and not just rehashing something we have already seen before. I believe they have done that due to the talent they have attracted for this film. Bringing back Orlando Bloom and (reportedly) Kiera Knightley is extremely encouraging considering they really did not want much to do with the fourth film. Adding Javier Bardem as a villain is always a good move (watch No Country for Old Men or Skyfall if you don't believe me), and he looked downright vile in the film's solid first trailer. Then, of course, we have the return of Johnny Depp in the role that has grown to define his career. Depp has declined in popularity quite significantly over the past few years, but I am still in his corner advocating for his greatness and am thoroughly pumped to see him bring Captain Jack back to the screen for our enjoyment. The choice for directors was also an inspired choice from Disney as instead of opting for a flashy name, Disney has brought in two unknown rising stars from Norway that seem to be thrilled to have this opportunity. Passion for a project can go a long way, in my opinion, and the passion behind Dead Men Tell No Tales seems to be present through and through. Here's hoping for more Black Pearl than Stranger Tides.

12. Murder on the Orient Express

Synopsis: Renowned Belgian detective Hercule Poirot investigates the murder of a wealthy American traveling on the Orient Express, the most famous train in the world.
Starring: Johnny Depp, Daisy Ridley, Kenneth Branagh, Michelle Pfeiffer
Director: Kenneth Branagh
Release: November 22

Yet again, star power reigns as my anticipation grows exponentially for Murder on the Orient Express. Based on the classic novel from the renowned author Agatha Cristie, this film has stars to spare in front of and behind the camera. Beyond the cast members listed above, Murder also stars Josh Gad, Penelope Cruz, Michael Pena, Judi Dench, and Leslie Odom Jr. An ensemble that massive and that talented doesn't just assemble for any ordinary film; they had to have seen something in the script that attracted them to this film, so am I to think that this film will be anything short of spectacular? Above all, however, I am most looking forward to Daisy Ridley as she begins her non-Star Wars career. In The Force Awakens, which does so many things right, Ridley is undoubtedly the standout as she became a worldwide megastar essentially overnight. She has it all, and she will be around the business for a long time. To see her sink her teeth into this role and this story is personally very exciting as Ridley is already rising swiftly up my favorite actress list even just after one movie. Further, Kenneth Branagh is a tremendous director as his talents behind the camera are only rivaled by his talents in front of the camera. From Shakespearean tales such as Henry V and Hamlet to genre films like Thor and Cinderella, Branagh is more than capable of getting the best of this story and its cast. Plus, the scheduling of this film indicates confidence from the studio, releasing it in the heart of awards season, and can you blame them for doing so? A Christie story directed by Branagh with that cast is surely destined to be an Oscar frontrunner if executed properly, and there is nothing to indicate that it will not be something special.

11. Wonder Woman

Synopsis: An Amazon princess leaves her island home to explore the world and, in doing so, becomes one of the world's greatest heroes.
Starring: Gal Gadot, Chris Pine, Robin Wright, Connie Nielsen
Director: Patty Jenkins
Release: June 2

I could honestly just copy and paste my comments from the Justice League commentary above to express my concerns as to why Wonder Woman could turn into yet another disappointment from the DCEU. So why does this film rank higher than Justice League? The reason is threefold. First of all, I am a sucker for superhero origin stories. I know they are sometimes unfairly ridiculed, but that is primarily because we already know about so many superheroes and their origins (looking at you, Spider-Man and Batman). However, unless you are a diehard comic book reader, the origins of Diana Prince/Wonder Woman are relatively unknown, which makes this new film truly intriguing. Secondly, Gal Gadot is a superstar in the making. In Batman v. Superman, a film obviously dominated by the Caped Crusader and the Man of Steel, it is ironic that Gadot's Wonder Woman completely stole the show from her counterparts. Without question, she was the best part of that otherwise wretched movie, only rivaled by Affleck's Batman at times, so to see her in a starring role surrounded by such high-end talent is an enticing prospect that I cannot wait to see. Finally, the simple fact that Zack Snyder is not directing Wonder Woman is a reason for optimism (he is just producing this time around). I am sure Snyder means well with his vision for the DCEU, but his execution has been lackluster to put it kindly. With Wonder Woman, we will hopefully get a more focused narrative centered on the characters instead of subplots and action sequences. Patty Jenkins is certainly capable to directing a film of this magnitude while also prioritizing the characters and story above all (she directed Charlize Theron to an Oscar in 2003's Monster, and that is certainly not an easy feat to accomplish). Combine these three aspects and you have more reasons for excitement than with Justice League. I just hope that Warner Bros./DC/Snyder allows Jenkins and Gadot to tell the story they want to tell instead of forcing unnecessary connections to the larger universe in play. If they do, Wonder Woman can be something truly memorable.

10. Alien: Covenant

Synopsis: The crew of the colony ship Covenant discover what they think is an uncharted paradise, but it is actually a dark, dangerous world, whose sole inhabitant is the synthetic David, survivor of the doomed Prometheus expedition.
Starring: Michael Fassbender, Katherine Waterston, Demian Bichir, Carmen Ejogo
Director: Ridley Scott
Release: May 19

Ridley Scott's 1979 classic Alien and James Cameron's equally classic 1986 sequel Aliens are two of my favorite films of all-time, which is rather remarkable considering films with any horror elements (of which these films have plenty) are usually ones I avoid vigorously because that genre just does not appeal to me. However, I cannot get enough of the Alien franchise (yes, even the maligned additional sequels are at least watchable in my book). I understand that I am in the minority when I claim that I loved the first prequel to the franchise, Prometheus in 2012, due to its bold themes and terrifying ambiance. Naturally, when it was announced that Scott would return to follow-up Prometheus with a story more closely related to the original classic, my excitement escalated significantly, Scott is coming off the success of one of his best films in his illustrious career with 2015's The Martian. It was so exhilarating seeing the legendary director have a blast with the science-fiction genre again, and I am hoping that experience carries over to success with Covenant. The promising first trailer for the film displayed everything I was looking for with this film: suspense, genuine horror, and stunning visual effects. Now, it is not difficult to infer from this trailer that Covenant is going to be rated R, which would probably throw up a red flag to its merit this high on my list considering my comments on Logan. However, the Alien films need this rating because we have seen what scaled back Alien movies result in (anyone remember Alien v. Predator? Yeah, I didn't think so). That is precisely why the rating has no effect on Covenant as it did with Logan in my estimation. This franchise has always featured horror films disguised as science fiction films, and in order to properly return to its classic roots, Covenant must imitate what audiences have responded to in the past. As the old adage goes, Scott needs to go big or go home, and I firmly believe he is going big with this one.

9. Blade Runner 2049

Synopsis: Thirty years after the events of the first film, a new blade runner, LAPD Officer K, unearths a long-buried secret that has the potential to plunge what's left of society into chaos. K's discovery leads him on a quest to find Rick Deckard, a former LAPD blade runner who has been missing for 30 years.
Starring: Ryan Gosling, Harrison Ford, Robin Wright, Jared Leto
Director: Denis Villeneuve
Release: October 6

Continuing the theme of being excited for sequels to some of my favorite movies of all-time, I am pumped beyond belief for Blade Runner 2049. The original 1982 classic film (directed by Ridley Scott) is a bonafide classic that has stood the test of time incredibly. Blade Runner is one of my favorite movies because of the commentary created in its aftermath. Over thirty years later, we are still unsure whether or not Harrison Ford's Deckard is a replicant, and to me, that is just a fascinating fact. Rumors of a sequel have been circling over recent years, and when those rumors finally materialized into something absolute, there became little excuse for not being completely sold on what 2049 has the potential of becoming. First of all, we have the return of Harrison Ford, who probably would not agree to return for this sequel unless the story was worthwhile, We all can remember what happened the last time Ford agreed to reprise one of his most iconic roles for a new generation (we still haven't recovered from that scene in The Force Awakens), so for that reason alone, optimism is created. Additionally, the cast around Ford is a terrific one as Gosling takes the lead in a role he should absolutely crush as the film's first fantastic trailer showed Gosling channeling his inner Ford beautifully. Furthermore, director Denis Villeneuve is swiftly becoming one of my favorite directors in the industry today. With films such as Prisoners, Sicario, and Arrival, Villeneuve has shown a knack for deftly blending legitimate drama and emotion with moments of sheer exhilaration. Based on his body of work thus far in his career, he seems to have been born to direct Blade Runner 2049. The scheduling of the film's release is also encouraging as the beginning of October has become the unofficial start of the awards season in recent years, so maybe the studio feels as if they have a winner on their hands. We'll see, but on paper, this one is destined to become a classic just like its predecessor.

8. Coco

Synopsis: Follows a 12-year-old boy named Miguel who sets off a chain of events relating to a century-old mystery, leading to an extraordinary family reunion.
Starring: Anthony Gonzalez, Benjamin Bratt, Gael Garcia Bernal, Renee Victor
Director: Lee Unkrich and Adrian Molina
Release: November 22

I have already heaped my praise for Pixar in the Cars 3 section, but allow me to reiterate how much I love this studio. Pixar has released seventeen feature films in its history, and fifteen of them are classic masterpieces in my book (sorry, The Good Dinosaur and Cars 2). Not only that, but these fifteen films are some of my favorite films period, animated or otherwise. Pixar can do very little wrong in my eyes, so anytime they have a new film lined up for release, you can count me in on opening day. As great as Pixar sequels have been with one glaring exception, the studio thrives and redefines the genre when they are creating something fresh and original. Innovation in technology and storytelling have been the hallmarks of the studio since its inception. From their debut film of Toy Story to Inside Out in 2015, Pixar has this amazing innate ability to create a wondrous something out of nothing with their respected tales. Coco is the next film in this line of original films from the studio, and it has all the makings of yet another classic for Pixar even though we have not seen much from it yet. The story itself is enough to be excited about as it revolves reportedly around the fascinating Day of the Dead legends and festivities. To see Pixar work its magic with that type of background is incredibly enticing. Further, Lee Unkrich returns to the Pixar director's chair for his first job at the helm since his masterpiece, Toy Story 3. Unkrich directed the fool out of the threequel from that beloved franchise, squeezing out every ounce of emotion he possibly could while also accounting for the immense amount of laughs, and he should be able to accomplish precisely the same feat with Coco. There are no big time names attached to the cast yet, but I am not concerned about that whatsoever because my excitement for this film rises and falls with the prospect of an original Pixar film. Throw in the fact that this will be their only original film until at least 2020 (Toy Story 4 and The Incredibles 2 will follow this one), and then suddenly, November 22 cannot get here soon enough.

7. War for the Planet of the Apes

Synopsis: A nation of genetically evolved apes led by Caesar become embroiled in a battle with an army of humans.
Starring: Andy Serkis, Woody Harrelson, Judy Greer, Steve Zahn
Director: Matt Reeves
Release: July 14

Similar to the resurgence of the Fast and Furious franchise, one of the modern day cinematic marvels is the new and vastly improved Planet of the Apes franchise. In 2011, no one was really clamoring for another film from this franchise (do you remember Tim Burton's 2001? Yeah, me neither), but upon the film's release, we were treated to a fantastic film with superb action and thought-provoking ideals and thematic elements. Maybe Rise of the Planet of the Apes would just be lightning caught in a bottle for a moment, but then, in 2014, they caught lightning in a bottle again with Dawn of the Planet of the Apes, and it was no longer a coincidence; it was a trend, and this trend has blossomed into one of the very best franchises in Hollywood today. I was already thoroughly looking forward to this film before a trailer was even released, but when the first trailer arrived, my anticipation completely skyrocketed. War looks to be embracing it title as Caesar and company seem to be taking no prisoners in this film. The action looks insanely awesome, but the story still seems intact, and the emotion and themes from the previous films look to be present too. Director Matt Reeves, who also directed Dawn, is back after masterfully crafting this film's predecessor. He brought more dimensions to this franchise from Rise, and Rise was a multi-dimensional film in and of itself. Reeves definitely knows what he is doing, and I cannot wait to see his vision unfold on the silver screen. Additionally, Andy Serkis's performance as Caesar continues to be a monumental achievement in cinema, and hopefully with War, awards pundits will begin to embrace his ability (they won't, but I can dream, right?). The simple complexity (is that a thing? It is now!) Serkis brings to his nuanced performance is profound and resonates with me every time I watch Rise or Dawn. He was incredible in Rise, yet he topped that performance in Dawn, so his performance in War is destined to be one for the ages. In a blockbuster-filled movie landscape, it is refreshing to watch a successful franchise continue to push itself beyond the status quo with its bold messages and themes while also embracing the action and storytelling that creates a memorable film of this magnitude. War may just be the next instant classic from this incredible franchise.

6. Spider-Man: Homecoming

Synopsis: A young Peter Parker/Spider-Man begins to navigate his newfound identity as the web-slinging superhero.
Starring: Tom Holland, Robert Downey Jr., Michael Keaton, Marisa Tomei
Director: Jon Watts
Release: July 7

In a film featuring a massive cast ensemble, it is rare that a standout is zeroed in on by the general consensus almost instantly, but that is precisely what Tom Holland did in his debut as Spider-Man in Captain America: Civil War. Even with little screentime to work with, Holland swiftly worked his way into the conversation for the best interpretation of the iconic superhero in cinematic history. Now, this new, younger version of Peter Parker is getting its own film set in the Marvel Cinematic Universe, a first for the character. That alone is enough reason for me to pumped for Homecoming. Spider-Man is one of my favorite superheroes of all-time (honestly, he's probably second only to Batman, in my book), but he belongs in the MCU as opposed to Sony (sorry, Andrew Garfield). He was such a breath of fresh air in Civil War, and I cannot wait to see what Holland does as the lead star in his own film. Further, the addition of Downey's Tony Stark is an extremely enticing proposition considering how the two characters interacted in Civil War. I am anxious to see how Spider-Man truly fits into this new universe beyond the war between Captain America and Iron Man, and Downey's presence should allow that message to be conveyed seamlessly. Additionally, a superhero is only as strong as its villain, and luckily for Spider-Man, his canon has some of the best villains in comic book history (yet again, second only to Batman, in my book). In Homecoming, we will finally witness the on screen debut of the Vulture, and even more exciting than that fact is that the Vulture will be portrayed by the incomparable Michael Keaton, who is in the midst of a nice career renaissance. His line in the film's tremendous first trailer where he simply states, "Don't mess with me," is so perfectly delivered, further escalating my excitement to see an actor of Keaton's caliber sink his teeth into this villainous role. Jon Watts is inspired choice to direct this film as he is rightfully aiming for an 80's John Hughes vibe with Homecoming, which should work perfectly for the character of Peter Parker. All in all, the anticipation is all in the connection of Spider-Man with the Marvel Cinematic Universe after all these years. Marvel can do absolutely no wrong in my eyes, and to see Spider-Man officially join their cinematic universe in his solo film is enough for me to book my ticket for the first showing offered on July 7.

5. Thor: Ragnarok

Synopsis: The plot is unknown at the time of this writing.
Starring: Chris Hemsworth, Tom Hiddleston, Mark Ruffalo, Cate Blanchett
Director: Taika Waititi
Release: November 3

When the third installment in the Thor franchise was officially announced, if you were to have told me that it would be in the top five of my most anticipated films of 2017, I would have probably questioned your insanity. I have already divulged my affinity for the Marvel Cinematic Universe, but the two Thor films are without question two of the weakest entries in the canon. Now, that does not mean they are without merit altogether; I think they are better than people want to give them credit for, but that exemplifies the strength of the MCU. Even good films are considered weak when put up against the Iron Man and Captain America trilogies. However, there is a ton to be excited about in Ragnarok. Foremost, we have the return of Hiddleston's Loki for the alleged final time. Loki is by far the strongest Marvel antagonist, and all the credit for that is due to Hiddleston vile performance in each film he appears. Considering how Thor: The Dark World ended, I am anxious to see how Loki is incorporated into this story alongside Hemsworth's Thor, who, by the way, also kills it every time he wields the Mjölnir. Also, the supporting cast around Hiddleston and Hemsworth is one of the best Marvel has ever assembled. Mark Ruffalo returns as Bruce Banner/Hulk for the first time outside of an Avengers film, and I am really intrigued to see how Thor and the Hulk handle this storyline away from Earth for a change. I am fairly certain it is cinematic law that Cate Blanchett makes all movies better, and with her in the supporting cast in Ragnarok, I am hoping that proves to be the case again. In addition to Blanchett, Karl Urban, Tessa Thompson, and Jeff Goldblum join the MCU while Anthony Hopkins, Idirs Elba, and Jaime Alexander return to their coveted roles. Furthermore, the directing choice is one of the most inspired choices in Marvel's history (and that is truly some high praise considering the directors they have attracted in the past). Taika Waititi is probably not a household name at the time of this writing, but he will be soon enough. His balance of humor and drama displayed in his recent indie films What We Do in the Shadows and Hunt for the Wilderpeople is deft and impressive. He is exactly what the doctor ordered to infuse the Thor films with something more attuned to the rest of the MCU. Also, given the post-credits scene in Doctor Strange and the nature of the current state of the MCU, Ragnarok seems to be a very crucial film in the canon as the final Infinity War is set up. I am always in for a Marvel film, but one this important to the entire universe demands my highest anticipation.

4. Guardians of the Galaxy Vol. 2

Synopsis: Set to the backdrop of Awesome Mixtape #2, 'Guardians of the Galaxy Vol. 2' continues the team's adventures as they unravel the mystery of Peter Quill's true parentage.
Starring: Chris Pratt, Zoe Saldana, Dave Bautista, Bradley Cooper
Director: James Gunn
Release: May 5

As you can plainly see, my excitement for the three Marvel films set for release in 2017 is extremely high. This is a vital time in the MCU, which means that every film is important in setting up the final battle and the following stories. I could have easily transposed these three films based on my daily levels of anticipation, but I placed them in this order with Guardians coming in as my most highly anticipated Marvel film of 2017 because of this film's predecessor. I went into the theater in August 2014 with extreme caution. For the first time in my Marvel fandom, I had no idea what to expect from a film like Guardians of the Galaxy. There were so many ways it could have gone horribly wrong, but thankfully, we were treated to one of the most unique, original, and fun blockbusters of the modern age, not to mention one of the best Marvel films in the canon even to this day. In his first blockbuster endeavor, James Gunn easily crafted a worthwhile story while balancing a tremendous cast ensemble and terrific action sequences like a seasoned professional. His return alone to direct and write is enough to be extremely excited for this film, but the return of the cast is also something to be looking forward to. Pratt became a worldwide superstar with this movie alone, and people began to equate Cooper and Vin Diesel with a raccoon and a tree (I mean, come on. That's awesome!). They all return, and alongside them, they have some exciting new additions, including Kurt Russell and Elizabeth Debicki. The first insanely awesome trailer for Vol. 2 was everything one could possibly want and expect from a Guardians sequel, and the even more insanely awesome second trailer was perfection in two and a half minutes. This film simply sells itself; if you are not excited for this one, you have no soul (that's a little harsh...you have a very small soul). Plus, while I love the interconnected MCU with the crossover stories, there is something strangely refreshing about the Guardians doing their own thing away from Iron Man, Captain America, and company. Sure, their stories will eventually collide, but until then, we are given the opportunity to watch a sequel that could very well be just as fresh, original, and fun as its predecessor, and considering our movie culture today, that is a amazing feat.

3. Dunkirk

Synopsis: Allied soldiers from Belgium, the British Empire and France are surrounded by the German army and evacuated during a fierce battle in World War II.
Starring: Tom Hardy, Cillian Murphy, Mark Rylance, Harry Styles
Director: Christopher Nolan
Release: July 21

There are few directors in Hollywood today where the release of their film is a worldwide event, and Christopher Nolan is undoubtedly one of those directors. Ever since he broke onto the scene with his earlier films like Memento and Insomnia, Nolan has firmly established himself as one of the most prolific directors in the history of cinema. He became a household name with The Dark Knight trilogy, which still stands as the pinnacle of comic book films to this day, and beyond those films, original and innovative films like Inception and Interstellar impress in every aspect and dominate the cultural discussion for weeks after their release. This summer, Nolan is back, and regardless of the story or cast, his film would find its way into my top five on this list because that is how much adoration and respect I have for his work. He is my second favorite director of all-time (behind Steven Spielberg) as a whopping three of his films currently occupy a spot on my top ten favorite films of all-time (Inception, The Dark Knight, and Interstellar...don't ask for an order because that is like asking a parent which child is their favorite). With Dunkirk, Nolan looks to be yet again challenging his talent and ability, and every time he seems to do that, the final result is an unrivaled masterpiece. The breathtaking first trailer was signature Nolan, and signature Nolan has become the directing standard in the industry. Nolan tackling a historical story such as this is an extremely exciting inevitability that will surely encapsulate the world over the final weeks of this summer. Further, Dunkirk was filmed exclusively with IMAX cameras. Nolan's films are always gorgeous (the building dream sequence in Inception...the book shelf conundrum in Interstellar...the list could go on and on), and with this setting and this story, Dunkirk could easily become his most visually pleasing film to date. I have went all this time and have yet to mention the cast, so I must do so now. Nolan regulars Hardy and Murphy will certainly turn in more than worthy performances while Rylance, fresh off his Oscar win in 2015, is an exciting addition to the Nolan ensemble. Styles is an interesting choice here, but I have faith in Nolan. Ultimately, that is why my excitement is so high for Dunkirk. I believe so much in Nolan that I think he could direct any story with any ensemble and create a classic. I love it when a director of his pedigree waits for the right story to come along and then makes the movie instead of jumping on the first story that comes across his desk. That passion is evident in every Nolan film, and Dunkirk will be no exception.

2. Beauty and the Beast

Synopsis: An adaptation of the Disney fairy-tale about a monstrous prince and a young woman who fall in love.
Starring: Emma Watson, Dan Stevens, Luke Evans, Ewan McGregor
Director: Bill Condon
Release: March 17

I have been a huge advocate for Disney's recent trend of remaking their classic animated films into live action/CGI form. While I understand the desire for more original filmmaking from the Mouse House, I also believe that as long as these remakes are high in quality, Disney should continue producing these films if only to satisfy our craving for that nostalgic feeling experienced upon each viewing of 2015' Cinderella and 2016's The Jungle Book. Now, on March 17, Disney has lined up what could potentially be their finest remake to date due to the tremendous cast and crew they have assembled to bring perhaps their best animated film to a brand new generation through a fresh medium. The animated Beauty and the Beast rightfully received a nomination for Best Picture at the Academy Awards, becoming the first animated feature to receive such a nomination. Since then, Disney's animated masterpiece has staked its claim firmly in the conversation for the studio's/genre's best film in history. It truly is a tale as old as time, and for me, it is my favorite Disney animated film of all-time. Naturally, that places my anticipation for this adaption of the story at a monumental high. I have been excited about Disney's past remakes, but I cannot contain my excitement for Beauty and the Beast. First of all, this cast is incredible. They could not have chosen a more ideal and perfect Belle than Emma Watson in her first major role post-Harry Potter. I feel confident in saying that she will absolutely slay this role from the singing to the acting and back again. Additionally, the supporting cast around her is just superb. Stevens displayed a great ability to truly become the Beast in the film's terrific second trailer while Evans is more than capable of embodying Gaston. Further, the enchanted cast featuring McGregor, Emma Thompson, Ian McKellan, Audra McDonald, Stanley Tucci, and Gugu Mbatha-Raw is simply sublime, and director Bill Condon has the chops to direct the fool out of this film (he directed Dreamgirls and wrote the screenplay for Chicago). I cannot wait to see this outstanding cast bring this tale to life. Every bit of footage we have seen thus far for this film has been nothing short of extraordinary, and as the marketing cranks up as March 17 approaches, I fully anticipate my excitement reaching a fever pitch of unprecedented heights.

1. Star Wars: Episode VIII

Synopsis: Having taken her first steps into a larger world in Star Wars: The Force Awakens, Rey continues her epic journey with Finn, Poe and Luke Skywalker in the next chapter of the saga.
Starring: Daisy Ridley. John Boyega, Oscar Isaac, Mark Hamill
Director: Rian Johnson
Release: December 15

There was really no competition regarding this decision. As excited as I am for films like Beauty and the Beast and Dunkirk, that excitement does not compare to my anticipation for the next chapter in the new Star Wars saga. The Force Awakens took home the honor as my favorite film of 2015, and since then, my admiration for JJ Abrams's film has only grown exponentially. I love every single of these characters, new and old, and the direction of the story is immensely intriguing and something I cannot wait to see unfold with this sequel. I have already touched on my growing love of Daisy Ridley, John Boyega, and Oscar Isaac, but let me just emphasize again how spectacular they were in The Force Awakens. They were simply stellar, and to see them reprise their career-making roles is a strong enough reason to be thoroughly pumped for episode eight. Additionally, in this installment, we will finally see the official return of Mark Hamill as Luke Skywalker (no, his tease in The Force Awakens does not count, in my book). Harrison Ford was terrific in his return as Han Solo in the previous film as was the late Carrie Fisher, but Hamill was only afforded a brief, quiet cameo at the end of the film. However, he should obviously play an integral role in the story of episode eight, and the dynamic between Ridley and Hamill should be a fascinating one. I also cannot wait to see Adam Driver back as Kylo Ren. The new villain in the universe was a fantastic addition to the cast of characters as Ren is instantly multi-dimensional and fully realized simply because of his background, but Driver elevates the material to a whole new level by turning in a star-making performance. Director Rian Johnson is a perfect choice to helm this film as well. If you are not familiar with his career work at this point, you have some homework to do between now and December 15. He expertly crafted the 2012 masterpiece Looper and directed three of the most popular and critically-acclaimed episodes of Breaking Bad. He is such an exciting addition to this crew as his vision should be an inspired one. Sadly, though, episode eight will be a memorial for the aforementioned Carrie Fisher as well. This film will feature her final full performance in the role that defined her illustrious career. From princess to general, Leia has been a staple in the Star Wars universe for good reason, and she should be an integral part in this story as well considering how things ended in The Force Awakens (I better get a reunion of Luke and Leia, and if I do, I will bawl). In 2017, it is simply Star Wars and everything else.

Honorable Mentions: The Greatest Showman, Red Sparrow, The Glass Castle, The Mummy, Despicable Me 3, Jumanji, American Made, The Dark Tower

Here's to a fantastic 2017!

Thursday, October 27, 2016

It's Good to Be Bad

Everyone has a favorite time of year to visit the Disney Parks. For many, it is the summer months due to their work schedule and access to nearly guaranteed warm weather. For others, it is around Christmas and New Year's thanks to the allure of the holiday season and perhaps even the prospect of seeing their favorite college football team play in a bowl game around that time frame too. Still, others prefer early spring or fall because of the lower crowds and relatively cooler, but still nice, temperatures. While I must readily admit that there is no definitive right or wrong time to visit the parks (because let's face it: no matter when you go, you're at Disney and that's better than just about anywhere else you could be), there is simply no better time to visit the Disney Parks than in September or, more preferably, October.

Each particular Disney season certainly has its pros as well as its fair share of cons. For the summer, I understand that could very well be the only time throughout the year that vacation is an option, but the immense amount of people that have that same opportunity is almost unbearable, and I won't even mention the scorching heat. The Christmas season sure is beautifully picturesque and something unlike anything I have ever seen, but this leads to more and more people every year thinking that a pilgrimage to the parks around the holidays is a necessity to complete their Disney fandom, which in turns leads to even more crowds. Plus, for Florida in particular, the temperature is relatively unpredictable in December and January, and who wants to travel to Florida and have to accommodate for cooler temperatures? Early spring/fall is really nice. In fact, if Halloween wasn't a thing, I would be swiftly booking a trip in early March or late August, but alas, other than Epcot's Flower and Garden Festival, specialties are missing from the park offerings during this time.

All this leads to my firm conclusion that September and October is the perfect time to visit a Disney park. The weather is not as intimidating as in the summer months or even in the early spring/fall period. The crowds are extremely light when compared to the summer and Christmas seasons. Plus, if you visit a Disney Park during this time, you get to experience the greatest holiday extravaganza Disney has to offer. Sure, Christmas at Disney is nice with the extraordinary Candlelight Processional and incomparable Mickey's Very Merry Christmas Party, but there is nothing like Halloween at Disney. Other parks offer Halloween-themed special events undoubtedly, but Disney is so unique and so special that it really elevates itself to a whole different level. Instead of relegating its guests to experiencing an overpriced haunted house fixated on gory details and cheap horror, Disney allows guests to witness something unbeknownst to the rest of the theme park industry: a gloriously beautiful family-friendly environment with just enough thrills to entertain just about anyone. One does not need to be scared to death in order to enjoy Halloween, and Disney has proven that fact time and time again. They have actually proven that Halloween is best enjoyed when one allows evil, not horror, to take center stage.

That works because of Disney's terrific canon of villains. It is quite a shame that the Disney villains are only afforded about two months during the year in the spotlight inside the parks. I understand why Disney implements this method, though, because it keeps people like myself longing to come back for those two months because the villain experience is so special, yet so limited. Some of Disney's most complex and ironically beloved characters are its film's villains. Ever since Snow White and the Seven Dwarfs, Walt Disney and his company have placed a major emphasis on the development of its villains, and the results have been nothing short of spectacular, leading to the creation of such cinematic icons as the Evil Queen, Chernabog, the Headless Horseman, Maleficent, Cruella De Vil, Shere Khan, Ursula, Jafar, Scar, Judge Frollo, Hades, Doctor Facilier, among many others. Those are not just Disney legends; those are legends of Hollywood, and they come out in full vile force to celebrate Halloween at the parks. From the various character experiences to their appearances throughout Mickey's Not-So-Scary Halloween Party, the villains are the primary reason why I believe Halloween is the best time to visit the Disney Parks.

Since I just mentioned it, I might as well take this opportunity to heap on my praises for Mickey's Not-So-Scary Halloween Party. If I could attend one special event throughout the year, I would choose this party hands down and without hesitation. The villains are just too enticing to pass up. From their narration during the superb HalloWishes to their appearances in the excellent Boo to You! Parade (quick side note: how amazing is the riding of the Headless Horseman before that parade?!) to the aforementioned character experiences to their breathtakingly awesome roles in the Hocus Pocus castle show, this party is something I will never grow weary of. Unlike other theme park's special Halloween offerings, Disney finds a way to tell stories while still instigating thrills and chills. They are not just dumbly walking around the park seeking frightened guests to scare and intimidate; instead, these villains are fully committed to making Halloween magic at the parks until the season has concluded. The Christmas Party is wonderful, but it does not hold a candle (get it? Christmas at Disney....Candlelight Processional...does not hold a candle? Fine, I found it amusing, at least) to the delightfully wicked Halloween Party.

Perhaps the biggest reason I think this way, though, is because of the expanded importance of my favorite Disney attraction, the Haunted Mansion, during the season (yes, I have probably written before that another attraction is my favorite, but as of today, that title belongs to the Mansion). The Ghost Host in all of his glory is prominently featured throughout the Halloween Party, especially as the Master of Ceremonies for HalloWishes, from which I still get an ungodly amount of chills from when he begins to materialize and narrate the life out the nighttime spectacular (get it? A ghost narrating the life out of something? Ok, I'll stop now). Plus, the iconic hitchhiking ghosts from the attraction develop even more of a cult following during the Halloween season, highlighted by their tremendous appearance in the Boo to You! Parade. Additionally, there is just something about experiencing the Haunted Mansion during this time of year. It is spell-binding no matter when you visit the parks, but around Halloween, especially when the sun goes down, it is as if guests are simply drawn to the Mansion in an unprecedented fashion. Halloween just brings out the best in the Mansion.

Yet another reason Halloween is the best time to visit Disney is because of the presence of characters from the classic film The Nightmare Before Christmas. I guarantee you that no one ever anticipated Jack Skellington and company being this popular originally, but here we are and I invite you to name a more iconic film for Halloween (and Christmas, for that matter). There is a legitimate reason they are so popular, though, and that is because their movie is absolutely fantastic. It is not only a classic for one holiday, but for two. That is truly remarkable and unheard of in today's Hollywood. Around Halloween, Jack, Sally, and Oogie-Boogie spice up the season in such a fun and unique way. Jack and Sally have a character experience that is always the longest line throughout the Halloween party while Oogie struts his stuff in the Hocus Pocus castle show. Of course, there is also the Haunted Mansion Holiday featuring these characters in Disneyland, which I have sadly never experienced but hope to one day. Sure, Jack returns for Christmas, obviously, but seeing these characters around Halloween just seems right considering he is the Pumpkin King. As is the case with the villains, you simply cannot get this experience at any other time throughout the year.

Finally, I would contend that Disney's Halloween decorations rival their Christmas decorations. I will not go as far as to say that they are better (because they aren't...I'm not a fool, you know), but what Disney does throughout the parks to celebrate Halloween in, once again, a family-friendly manner while still completely honoring the season is just special. The Mickey-shaped pumpkins, in particular, are worth the price of admission alone, and that's not even taking into account the subtle placement of lights and various floral decor located throughout the parks. Walking around the parks during this time of year is truly original, and it somehow brings even more magic to the already fully-stocked supply provided by Disney.

Clearly, if you're reading this now, it is kind of too late to take an excursion to the Disney Parks for this Halloween season, but it is never too early to start thinking about next year and beyond, right? I know that some calendars simply will not allow it, and I understand that everyone has their preference, but if you can swing it, make visiting the Parks in mid to late September and throughout the month of October a priority. I promise you that you will not leave disappointed. You will return home feeling as if you had experienced Disney in a way that you had never experienced before. Whether it would be your first visit or your seventy-first visit, the Halloween season has so much to offer year in and year out. It's good to be bad, and Disney has proven it.

-Cody Fleenor

Monday, October 10, 2016

An Overdue Farewell to the Main Street Electrical Parade

The time has finally come. The Main Street Electrical Parade is leaving the Magic Kingdom for the third time in its historic run. The parade debuted at Disneyland in 1972 and periodically appeared in the park until 1996, dazzling audiences no matter what version of the parade they saw for generations. The parade began its illustrious stroll through the Vacation Kingdom of the World in 1977 and was instantly received with rapturous acclaim and admiration. In 1991, it was shipped to Euro Disneyland to help with the initial debacle across the Atlantic with poor attendance reports and terrible critical and fan response. However, like a phoenix rising from the ashes, the Main Street Electrical Parade (henceforth referred to as MSEP) came back with vengeance to the Magic Kingdom in 1999, but was soon yet again taken away in 2001 to ironically help with another struggling new Disney park, in this case being Disney's California Adventure. When the MSEP left the Magic Kingdom in 2001, it seemed as if it would never return to the park again. I mean, you can bring something back once, but not twice, right? Nostalgia can only go so far, correct?

Disney would unfortunately beg to differ because in 2010, the MSEP made yet another triumphant return to the Magic Kingdom for what was originally scheduled as a limited engagement probably to suffice diehard Disney fans and retro fanatics. However, in 2012, that limited marking was removed and the parade became a staple for the nightlife at the Magic Kingdom, and at the time of this writing, the MSEP has officially concluded its third run at the Magic Kingdom and will soon be shipped back to Disneyland for one last running in 2017 (side note: I hope one of the floats has a 'return to sender' tag on it because why not?). It is a rather sad time for Disney fans around the world because many hold the MSEP in such high regard and it has a very special place in their heart and it always will.

For me, while I respect the MSEP's historical and retro place in the grand scheme of the Magic Kingdom, it's time to say goodbye once and for all  to the parade that should have retired for good twenty years ago.

Now, don't misunderstand my position. I like the MSEP, I really do (even though my co-hosts on The Mouse Knows Best Podcast might beg to differ), and I am most definitely a huge fan of Disney history and believe there is no better Disney World than retro Disney World. However, the outrage and depressing nature surrounding the conclusion of the MSEP's third run at the Magic Kingdom is emblematic of a major problem a lot of Disney fans possess (myself included, on occasion). If you're like me and have been a Disney fanatic for your entire life, you become emotionally invested and attached to certain attractions. Quite a bit of people feel this way about the MSEP because they probably first experienced the parade as a child and it was absolutely spell-binding, and as time wore on, it only became more enchanting and magical. Due to this high regard we place certain aspects of Disney World in, if retirement, overlaying, removal, or something along those lines threatens that attraction or show, we feel as if we have somehow been personally violated, believing that Disney has infringed upon our rights by failing to consult us on their decision to do what they want to do with their properties.

Unfortunately, this feeling sadly leads to completely ignoring the potential validity of the succeeding replacement. The perfect example, to venture outside of the MSEP discussion for a moment, is the controversy currently surrounding the Guardians of the Galaxy overlay of the Twilight Zone Tower of Terror at Disney California Adventure. The Tower of Terror is a glorious attraction in its original form. There is simply no denying that fact, but upon the first break of news that Star Lord and company would soon be replacing Rod Serling, Disney fans worldwide were immediately up in arms and sent into an irrational frenzy. Before the first change was ever made to the Tower, fans were already writing off the possible success of Guardians: BREAKOUT (yeah, that name is strange, I know. And what's with the all caps? But I digress). This is totally unfair to the Guardians attraction, and I understand that everyone has a right to their own opinion and I am by no means telling anyone that their opinion is irrelevant because it most certainly is relevant, but this notion that an attraction is doomed from the start simply because it is replacing a beloved current attraction is absurdity to me. Now, this new Guardians attraction could be a complete and utter disaster, but we have no idea of knowing that until we actually experience the attraction, which won't occur for another half year at best.

Bringing it back to the MSEP, while Disney has yet to announce a replacement for the classic nighttime spectacular (or if they will even replace it in the first place), I fear Disney fans have already resigned themselves to the thought that whatever is next is destined to fall short of the MSEP's standard. Read this carefully: just because something is new doesn't meab that it won't be great in its own right. We need to stop comparing attractions, shows, parades, and so forth while determining which is superior. We must instead focus on what makes those experiences so memorable in their own unique way. Take, for example, the debate all Disney fans have at some point: which Magic Kingdom mountain is the best? In an effort to justify your selection for this question, we end up splitting hairs and finding faults with the other two mountains in order to boost your case for your pick for the best. To me, while I certainly have a favorite mountain in this case (my selection is satisfactual, after all), I admit that they are all equally great, classical, and quite perfect as well. Whatever Disney decides to replace the MSEP with will inevitably be compared to it just as SpectroMagic was initially compared to the original MSEP in the early 2000's. I implore you to keep an open mind about these things. By doing so, who knows...you might find yourself concluding that the MSEP's replacement is actually better than the spectacular festival pageant of nighttime magic and imagination.

When you take a look at what Disney has done with other nighttime parades (the aforementioned SpectroMagic and Disneyland's Paint the Night in particular, for the sake of this conversation), there is plenty of reasons to be optimistic about nightlife in the Magic Kingdom post-MSEP. SpectroMagic was the far superior Magic Kingdom nighttime parade (and no, that's not unfairly comparing MSEP with Spectro...that is a blatant fact), and Paint the Night is a visual and audible extravaganza that will delight and enthrall even the hardest of hearts. Whatever Disney comes up with next will undoubtedly be something that will be beloved and well-respected for years to come (and even more beloved and well-respected upon its third return to the Magic Kingdom, probably). The current attitude towards the MSEP's departure is a prime example of nostalgia gone wrong. It is totally normal and completely acceptable to long for the Disney of yesterday, but no matter how much you and I want that Disney to return, it's simply not happening. The past is the past, and we cannot do a thing to change that, for better or for worse. We can only live in the here and now while looking forward to the great big, beautiful tomorrow. The MSEP had its time and place, but now is the time to say goodbye. We had six years to celebrate its place in Disney history and storied legacy, but we must now move on. Don't beg Disney to bring back the MSEP for a fourth time (please, for the sake of my sanity, don't do that); instead, let's look ahead and look forward to whatever Disney has up their sleeves next because odds are that it will be just as great as the MSEP.

 President John F. Kennedy once said, "Change is the law of life. And those who look only to the past and present are certain to miss the future." I more than welcome you to revere and remember the past, especially when it comes to Disney history. I try to do that every single day, but there comes a time when we must realize that sometimes, we have to say farewell to something even when it is rather difficult and we would like nothing more than to not say farewell at all. Change is inevitable, so for me, while I respect the fool out of you, MSEP, so long and good riddance. Maybe now, nighttime at the Magic Kingdom can get a much needed update into the twenty-first century.

-Cody Fleenor

Monday, August 15, 2016

Summer of Magic- "Finding Dory"

Today, we officially conclude the Summer of Magic. I began this journey of watching and reviewing all of the Disney animated films in the official canon as well as all of Pixar's films on May 10, and while I always hoped to finish, actually arriving on the final day is a little surreal, to be honest. Today I review of Finding Dory, the latest Pixar film and bring this excellent summer to a glorious close. Fifty-five Disney films and seventeen Pixar films later, a summer has never been so magical. I just want to take this opportunity to thank anyone and everyone who has read even just one review this summer. I hope my quest has inspired you to always remember the magic and hold onto those timeless memories. I hold all of these films very near and dear to my heart because they ignited my incredible obsession and love for all things Disney. To be able to give each one of them another day in the spotlight has been a tremendous honor and privilege. From the bottom of my heart, thank you for reading and following along. Now, onward and upward to my review of Finding Dory.

I joked with my family before arriving at the theater a couple of months ago to see Finding Dory that people my age in their early twenties would be knocking younger children down in order to get the best seat to watch this long-anticipated sequel (maybe I was only half-joking). This film's predecessor, Finding Nemo, was released in 2003 when I was the prime age of eight. Seeing Finding Nemo in theaters with my family is still one of my earliest memories of moviegoing, so when it was announced that thirteen years later, we were finally getting a sequel, my entire generation awaited with hastened breath. We were cautiously optimistic, though, because of the such high regard we have for Nemo. We considered that film to be one of the greatest of all-time, and if Dory didn't live up to that lofty expectation, we would instantly know. While Finding Dory never quite reaches its predecessor's standard (but let's face it: not many films do), in terms of Pixar sequels, it fortunately feels more like Toy Story 3 than it does Cars 2. Paying superb homage to its predecessor while also introducing terrific new characters in a worthwhile story with great messages, Finding Dory is yet another masterpiece from Pixar.

(We've reached a point in the summer where it is possible that you may not have seen some of these films, so potential spoilers are present from here on)

Given that she was my favorite character from Finding Nemo, I was extremely intrigued to see what Pixar had up their sleeve by elevating Dory to the leading role, and I was even more intrigued to see what kind of story they were going to tell. Would it be a simple retread of Finding Nemo or will it be something entirely different? Luckily, Pixar gave us the latter with an ingenious original story that just so happens to star characters we already know and love. Due to our admiration for Dory already, Pixar is able to jump right in and begin their legendary story about Dory returning home to find her parents. While we are shown backstory in the form of flashbacks, none of these scenes feel unnecessary or forced, but rather vital and wholly integral to the story overall. In fact, the flashbacks to Dory's childhood are some of the film's many highlights, and young Dory is legitimately irresistible. Dory is the unrivaled comedic relief in Nemo, but in her own film, even though she does find numerous ways to make us laugh, she now taps into her potential to make us emotional. Dory is an established lovable character before Finding Dory even begins, so when she starts to wonder where her parents are, we are all in on the prospect of following one of our favorite characters all the way home. Ellen DeGeneres once again is absolutely fantastic as Dory here, showcasing a natural ability to tap into her dramatic side with relative ease while never losing her signature charisma and wit. Dory is a character for the ages without her own film, but with her own film, she becomes one of the greatest cinematic characters of all-time (no surprise here: more on Dory below).

It takes an entire ocean/Marine Life Institute to help Dory find her parents, and just as we have come to expect with Pixar, every single new and old creation is flawlessly brought to life. Instead of Dory helping Marlin out, the roles are now reversed in this film as Marlin and Nemo are the ones helping Dory out, and that dynamic is a great one. Since Marlin knows what it is like to lose something you truly love, he can immediately empathize with Dory and therefore is motivated to help her out by any means necessary (even if it means thinking 'what would Dory do?'). Albert Brooks is phenomenal yet again as Marlin, and so is Hayden Rolence assuming the role of Nemo for this film. We are treated to some delightful cameos from such old pals as Mr. Ray, Crush. Squirt, and the Tank Gang in the post-credits scene (seriously, make sure you watch this scene). However, the real stars of Finding Dory outside the titular character are the newcomers. As Dory begins to remember more about her family, she feels compelled to go to the Marine Life Institute, and this plot tool allows Pixar to create more icons to add to their enormous pantheon of great characters. Ed O'Neill's octopus (or is it septapus?), Hank, is just a extraordinary character. When we are introduced to Hank, the only thing he is concerned about is how he is going to get out of the institute and on a truck to Cleveland. He could not care less about Dory and her dreams, but as the film progresses, we see a stark change in Hank's personality. By the film's conclusion, we see Hank heroically aiding Dory to fulfill her quest of returning home. O'Neill does a splendid job balancing grumpy old hag with a deeply hidden caring attitude. Additionally, Kaitlin Olsen's Destiny and Ty Burrell's Bailey are excellent characters as well, filling in for Dory to provide some sensational comedic relief to the film. Fluke and Rudder, the two scene-stealing sea lions exquisitely voiced by Idris Elba and Dominic West respectively, are downright hilarious, and Dory's parents, Jenny (Diane Keaton) and Charlie (Eugene Levy), are everything we want them to be and more. As I have stated before, Pixar's cornerstone has always been its characters, and in Finding Dory, no character is wasted and each one is effortlessly developed with multiple layers and dimensions.

Finding Nemo is undoubtedly one of Pixar's most picturesque films to date, impeccably bringing the vastness and wonder of the ocean to the screen, and with Finding Dory, Pixar continues to exhibit the uncanny ability to create magic with their animation. While a majority of the film is actually spent inside the Marine Life Institute, that does not negate the fact that this film is stunning and beautiful, especially when Dory finally does arrive at her physical home and when Dory and Hank find themselves in the Touch Pool. Also, Thomas Newman has once again crafted a spectacular score to accompany this film. His Nemo score is one of the best in the studio's history, and he may have just outdone himself with his Dory score. Plus, that signature Pixar emotion is on full display throughout Finding Dory. Every flashback sequence featuring a young Dory hits me right in the notorious feels as we catch a glimpse into Dory's true background. Furthermore, that sequence in which Dory finally tracks down her parents is one of Pixar's finest, worthy to be mentioned in the same breath as the studio's most emotional scenes from films like Up and Toy Story 3. I am obviously going to discuss that scene in more detail below, but this sequence elevates Finding Dory from a great film to an instant classic. The theme of never forgetting where you came from is a timely, important message to proclaim, as is the clear encouragement to anyone with a physical or mental disability. Finding Dory sees Pixar doing what only Pixar (and Disney) can do: entertaining, inspiring, and challenging.

I am proud to report that the thirteen year wait for a sequel to Finding Nemo paid off incredibly. Finding Dory is a immediate masterpiece, thoroughly entertaining the masses while also becoming an emotionally engrossing film for the diehard and casual fans alike. Just keep swimming, Pixar, and keep on making sequels like this.

Rating: 10/10

Historical Significance/Behind the Scenes: Unfortunately, due to the film's recent release date, there is not much to add to these two categories because we simply do not know much about the production process yet. However, I am going to offer you this treat (well, at least I think it's a treat). In honor of the final day of the Summer of Magic, I thought it would be appropriate to rank the Pixar short films as well, because as I wrote previously, their shorts are absolutely sensational. So, without further ado, my rankings of the Pixar shorts!
  1. Geri's Game
  2. Piper
  3. The Blue Umbrella
  4. La Luna
  5. Day and Night
  6. Knick Knack
  7. Tin Toy
  8. Luxo Jr.
  9. Lava
  10. Sanjay's Super Team
  11. For the Birds
  12. One Man Band
  13. Presto
  14. Partly Cloudy
  15. Andre and Wally B.
  16. Red's Dream
  17. Boundin'
  18. Lifted
Favorite Character: It should come as no surprise considering my choice for this section in my review of Finding Nemo (and given that she is without question the star of her own film, unlike Nemo is in his film), but Dory is my favorite character from this one. The idea for Finding Dory was inspired by a single, at the time merely unimportant line from Finding Nemo when Dory contemplates where her family is located. Leave it to Pixar to take this minuscule sentence and develop a fascinating story surrounding Dory and her plight to find her parents. We all know Dory to be a bonafide comedic sidekick, but in Finding Dory, her character expanded immensely beyond that trait as she blossoms into one of Hollywood's most iconic figures. I praised Ellen DeGeneres's performance in Finding Nemo, and I must do the same here. She is truly remarkable in this film, showing a shocking range of comedy and drama. For every legendary one-liner Dory utters in this film ("Hank, we need to be in that tank. Hey! That rhymed!"), she has an equally impressive scene that elicits a wide array of emotions (the scene immediately prior to her discovery of her parents is phenomenal). We genuinely care for Dory every step of the way in this film. When she hits a memory roadblock, we feel her pain. When all hope seems lost, we feel her despair, and when she finds her family, we rejoice wholeheartedly. In an industry that too often fails to further the development of their characters in sequels, Pixar hits an absolute grand slam with Dory, taking her already established irresistible qualities and adding more layers and dimensions to this legend of cinema.

Favorite Scene: Yet again, my favorite scene from a Pixar film is the emotional climax of the story. I briefly alluded to this scene in the previous section, but my favorite scene from Finding Dory is the sequence following Dory's escape from the Marine Life Institute after she had just been informed of her parents's apparent demise. As she returns to the ocean, Dory is at a loss, and DeGeneres has never been better. She fumbles over words so authentically that it makes this talking blue tang so believable. When Dory begins to think about what she should do, her thoughts eventually lead her to the ocean floor, where she discovers those fateful shells. As she connects the dots, she follows the path of the shells to a home surrounded by hundreds of shells. Dory hopelessly looks around, not entirely sure what to expect. Then, suddenly, a pair of blue tangs appear to Dory's surprise. The couple stare amazingly at Dory as she returns the gaze. Dory begins to speak, but she is interrupted by the couple, her long lost parents, who are literally overjoyed that their child has come home. It is a simple moment, but the simple moments in Pixar films are often the ones that stay with you the longest. The entire film had been leading up to this point, and instead of the revelation of Dory's parents appearing underwhelming, it becomes the signature emotional moment found in almost all Pixar film that elevates the film to the classic level. This is what we have been waiting for since 2003, and the wait was certainly worth it because of this one defining moment.

FINAL Pixar Rankings: Finding Dory might move up this list in due time, but it is hard to elevate it past the ones ahead of it currently. As is the case with my Disney rankings from yesterday, I am proud of these rankings, and while everyone has a different opinion on where these films ranks, I think we can all agree that it is extremely difficult to rank Pixar's films. However, that is what I have done for their seventeen films thus far, and here's where they stand today.
  1. Toy Story 3
  2. The Incredibles
  3. Toy Story
  4. Inside Out
  5. Finding Nemo
  6. Up
  7. Ratatouille
  8. Wall-E
  9. Monsters Inc.
  10. Toy Story 2
  11. Finding Dory
  12. Brave
  13. Monsters University
  14. A Bug's Life
  15. Cars
  16. The Good Dinosaur
  17. Cars 2
And just like that, it's over, but the great thing about Disney and Pixar is that there is always new films on the horizon! Walt Disney once said, "It's kind of fun to the impossible," and throughout his studio's history, that is exactly what they have done: the impossible. Creating films that will endure long after all of us are gone, and more importantly, making memories that will last a lifetime and beyond. Thank you, once again, for following along with me this summer. I hope you had as much fun as I had, and now, go and share the magic!

-Cody Fleenor

Sunday, August 14, 2016

Summer of Magic- "Zootopia"

This is it, folks: the final Disney film in the Summer of Magic. We began this journey of revisiting and reviewing all of the Disney animated films in the official canon over three months ago, travelling all the way back in time to 1937 with Snow White and the Seven Dwarfs. Today, to borrow a quote from Dame Judi Dench in her narration on Spaceship Earth, we come to the present. Fifty-five films in their canon and Disney is still churning out classic after classic. While we have surely experienced some missteps over the years, one thing is certain: there really is nothing like a classic Disney animated film. The timeless logic of saving the best for last is rather applicable for today's film. Continuing the theme from the third Golden Age of proclaiming bold messages while not sacrificing the entertaining magic, Zootopia is one of the studio's modern day crowning achievements. Utilizing legendary characters to create unparalleled comedy and teach invaluable lessons, Zootopia is a film that accomplishes all of the essential goals of becoming a Disney classic: it entertains, inspires, and challenges. We may have only lived with this film for a few months now, but it without a doubt a genuine masterpiece and one of Disney's finest films to date.

(We've reached a point in the summer where it is possible that you may not have seen some these films, so potential spoilers are present from here on)

Can we first talk about how great the characters in Zootopia are? Not only has Disney brought to life one instant icon in this film; they brought to life two instant icons in Judy Hopps and Nick Wilde, two of my new favorite characters in the canon (Nick Wilde is actually my character choice on My Disney Experience). Judy Hopps is just an incredible character filled with complexity and classic Disney elements. From the beginning, we understand that Judy is not your typical carrot-growing bunny (much to the dismay of her parents). As her father explains to her the importance of settling and not striving to achieve her dreams in one of the many hilarious sequences to be found in this film, Judy simply shakes it off and boldly continues to dream about becoming Zootopia's first bunny police officer. Her optimism and positive attitude are absolutely infectious, allowing us to fully invest into the life of this legendary character from the moment she first graces the screen with her presence. Disney could not have found a more perfect actress to voice Judy as Ginnifer Goodwin turns in a career-best performance here, effortlessly blending the hilarity of the film's brilliant script with the seriousness of its intended themes. Judy Hopps is one of those characters for the ages, and undoubtedly one of Disney's finest creations in the studio's illustrious history of creating characters for the ages. You could probably tell from the fact that Nick Wilde is the character for My Disney Experience that I love this sly, charming fox. He is simply awesome, to put it plainly. Insanely complex and relentlessly funny, Nick Wilde is yet another character for the ages to be found in Zootopia (you guessed it: more on Nick below). Whenever Judy and Nick are onscreen together (and thankfully, that happens often in this film), it may just be the greatest duo dynamic Disney or Pixar has ever created, rivaling such iconic friendships as Buzz and Woody or Timon and Pumbaa.

Whenever you have two legends leading the way, it is imperative that the supporting ensemble follows suit, and they most certainly do as Zootopia is filled with exuberant characters that make this film feel so rich and unprecedented in terms of character. The Zootopia Police Department contains some excellent characters, especially Clawhauser and Chief Bogo (exquisitely voiced by Nate Torrence and Idris Elba, respectively). Mayor Lionheart and Assistant Mayor Bellwether are obviously very integral to the conflict that arises in the film, and JK Simmons and Jenny Slate are downright superb in these roles. The film also contains a number of straight scene-stealers, such as everyone's favorite sloth Flash, Shakira's Gazelle (who flawlessly performs the terrific "Try Everything"), and Mr. Big. Also,  I would like to take this opportunity to wholeheartedly applaud Disney for their creative naming of these characters. This may sound like a simple task to complete, but I assure you it most definitely is not, and Disney makes it look super easy with these amazing names. Furthermore, Don Lake and Bonnie Hunt expertly voice the sheltered, but well intentioned parents of Judy, and yes, Alan Tudyk does appear in this film in all of his glory as Duke Weaselton (I mean, come on! He voiced the Duke of Weselton in Frozen! How can a group of people be so creative?!). This cast is perfect, and the film's characters are perfect. The cornerstone to Disney's success in its third Golden Age has been its concerted focus on creating great characters; in fact, if you track Disney's most successful times throughout its cinematic history, it is all because of their characters. In Zootopia, the studio has not only created this ridiculously beautiful and inventive world, but they have also brought to life ridiculously beautiful and inventive characters to inhabit this world. This film does not only boast the greatest ensemble of characters from the third Golden Age; this is one of Disney's best ensembles ever period, worthy to be mentioned in the same breath as the ensembles from Beauty and the Beast and The Lion King.

We have grown to expect greatness with Disney's animation throughout its history; even when the film fails from a character or story standpoint, usually the animation is an unquestioned highlight. It would be quite difficult to think of more breathtaking sequence then the one when Judy first arrives in Zootopia. With "Try Everything" accompanying the masterclass of artistry on display, Disney builds this awe-inspiring world with immense detail and precision, giving life to this city before we even meet its citizens. From there, they only continue to raise the bar in such scenes as Judy's chase of Duke and the final climatic sequence. Now, it is time for my obligatory praise of a Michael Giacchino score. I have said it before, and I will say it again: the man is simply a genius. His score for Zootopia is stunning, audacious, epic, and downright gorgeous. I must give it up to directors Byron Howard, Rich Moore, and Jared Bush also. They successfully lead production of one of Disney's most thoroughly entertaining and thought-provoking films to date, and that is not an easy balance to achieve. Their vision was well defined and therefore well executed. Speaking of the thought-provoking nature of the film, one cannot finish watching Zootopia without soon igniting a conversation about its profound messages and challenging themes. Confronting such a major social issue as racism is an extremely bold move on Disney's part, but with the director's steady hand and the perfect script, Zootopia begins a dialogue that few films have ever generated so effectively. This all works, though, because of those characters. If the characters are weak, we could not care less about these messages. However, because we do care for these characters, we hear their proclamations loud and clear, and what a powerful plea it is. Only Disney could pull off such a feat.

Zootopia is simply a classic and a masterpiece. If you disagree with that assessment, I guess you have every right to be wrong, but I just don't understand how someone could hate on this glorious piece of filmmaking. Years from now, when someone else does a Summer of Magic and they come to Zootopia, I believe they will be ringing the very same praises. Its characters are unrivaled, its story unprecedented, its themes unending, and its timelessness unquestioned. Zootopia is a film Walt would have been extremely proud of.

Rating: 10/10

Historical Significance: Initially, Nick Wilde was intended to be the main character with Judy Hopps taking more of a secondary role. However, when the studio began test screening the film, the audience had a difficult time emotionally connecting with Nick as the leading character, but they loved Judy Hopps instantly. The character roles were swapped, and that is when Rich Moore was brought in to direct alongside Byron Howard with Jared Bush becoming a co-director (it seems as if audiences were able to perfectly connect with Nick emotionally as a "secondary" character, so the change worked out in the end). Additionally, this is the fourth film from the third Golden Age which kept the identity of the villain a secret. It is revealed late in the film that Bellwether is the mastermind behind the night howlers plot, following in the footsteps of King Candy from Wreck-It Ralph, Hans from Frozen, and Callaghan from Big Hero 6. This is not a modern trend though. In fact, some of Walt's films even instituted this plot device. Remember Winkie from The Adventures of Ichabod and Mr. Toad and Madam Mim from The Sword in the Stone? Their villainy is not revealed until well into the film as well. Also, this is Michael Giacchino's ninth score composed for Disney, but it is his first for Walt Disney Animation Studios. He previously worked on The Incredibles, Sky High, Ratatouille, Up, Cars 2, John Carter, Tomorrowland, and Inside Out.

Behind the Scenes: In the US version of the film, a moose (brilliantly named Moosebridge) acts as the news anchor throughout the film. However, if you were to watch Zootopia in another country, a different animal would appear. In Australia, a koala is used; Japan would feature a tanuki (apparently something like a raccoon dog...not sure what that means, but we'll go with it); China would star a giant panda; and Brazil utilizes a jaguar. Moreover, a number of high profile celebrities make voice cameos in this film. Flash's co-worker, Priscilla, is voiced by none other than Kristen Bell, the voice of Anna from Frozen (sloths are apparently Bell's favorite animal). Josh Dallas, star of  ABC's Once Upon a Time and husband of Ginnifer Goodwin, voices one line for a character called Frantic Pig that appears at the Gazelle protest in opposition. I also must make mention of the superb voice acting from director Rich Moore. Moore previously voiced Sour Bill and Zangief from Wreck-It Ralph, and in Zootopia, he voices Doug and Larry. The voice of Mrs. Otterton may sound familiar too. That is because she is voiced by Academy Award winner Octavia Spencer.

Favorite Character: I truly could have chosen either Judy Hopps or Nick Wilde for this section and I would have been totally fine with either selection. However, I simply find myself gravitating to Nick as my favorite. The credit for creating this exceptional character is really twofold. First, the film's amazing script deserves a lion's share of the credit. When we first meet Nick, he is straight hustler (leading to one of the greatest one-liners in Disney history: "It's called a hustle, sweetheart"). He talks fast and steals faster, but throughout the film, Nick evolves from a motor-mouthed thief to a motor-mouthed legend. With the devastatingly beautiful flashback sequence revealing Nick's motivation to become a hustler, all of a sudden, Nick becomes a character we all genuinely care for. When his heart is broken by Judy's apparent betrayal of him, our hearts break too. When he becomes the ZPD's first fox police officer, we wholeheartedly rejoice. The script does an incredible job giving Nick so many layers and dimensions while never stifling his charm and hilarity. Secondly, Jason Bateman is absolutely sensational in this role. He has legitimately never been better, impeccably delivering hilarious line after hilarious line while also showcasing his emotional range too. Nick is a special character with specific traits, and Bateman is the picture perfect choice to bring this character with these traits to life. In the pantheon of Disney icons, Nick Wilde firmly asserts himself into the very heart of the conversation regarding the greatest character in Disney history.

Favorite Scene/Song: I have wrestled with this decision all day. I almost continued my adoration for Nick Wilde by selecting his flashback scene and subsequent conversation with Judy as my favorite scene, but the more I thought about it, the more I kept returning to Judy's arrival in Zootopia with "Try Everything" playing in the background. This is my favorite because of the sheer artistry of display during this sequence from the animators and storytellers. We have been anxiously awaiting the reveal of Zootopia and all of its intricacies, and when we are finally ushered into that glorious city, it is an absolute spectacle to behold. Travelling through the city's various districts such as Tundratown, Sahara Square, and Little Rodentia is an awe-inspiring and breathtaking experience. It is in the midst of a scene like this that I simply stand amazed at the mastery of these Disney animators. The way they have created this phenomenal city from scratch is really unrivaled in creativity and cleverness. Every district is expertly imagined, and Judy's facial expressions throughout this sequence perfectly represent our thoughts as viewers as well. Plus, Shakira's "Try Everything" is the perfect theme song for Zootopia and for Judy herself. This song is the lifeblood for this entire film, entertaining us all while setting the foundation for those bold messages to be proclaimed later on. It is simple, yet highly effective number that exquisitely compliments this masterpiece-making sequence.

FINAL Disney Ranking: For the first time in my Disney obsessed life, I finally have a definitive ranking of the animated films. I have often done this in my head, but I have never done so as I watched the films. I am really proud of these rankings, and I hope this has inspired you to do the same with your own rankings as well. Now, without further ado, my final rankings of the fifty-five Disney animated films in the official canon.
  1. Beauty and the Beast
  2. The Lion King
  3. Aladdin
  4. Tangled
  5. The Little Mermaid
  6. Snow White and the Seven Dwarfs
  7. The Hunchback of Notre Dame
  8. Zootopia
  9. Peter Pan
  10. Cinderella
  11. Frozen
  12. The Jungle Book
  13. Sleeping Beauty
  14. Lilo & Stitch
  15. The Princess and the Frog
  16. Hercules
  17. Mulan
  18. The Emperor's New Groove
  19. Tarzan
  20. Pinocchio
  21. Lady and the Tramp
  22. Wreck-It Ralph
  23. The Many Adventures of Winnie the Pooh
  24. Alice in Wonderland
  25. Dumbo
  26. Bambi
  27. 101 Dalmatians
  28. Big Hero 6
  29. Pocahontas
  30. Treasure Planet
  31. The Great Mouse Detective
  32. Fantasia
  33. Winnie the Pooh
  34. The Adventures of Ichabod and Mr. Toad
  35. The AristoCats
  36. Fantasia 2000
  37. Meet the Robinsons
  38. The Rescuers Down Under
  39. Fun and Fancy Free
  40. The Fox and the Hound
  41. Robin Hood
  42. Bolt
  43. Dinosaur
  44. Melody Time
  45. The Three Caballeros
  46. Saludos Amigos
  47. Brother Bear
  48. Oliver & Company
  49. The Rescuers
  50. Atlantis: The Lost Empire
  51. The Sword in the Stone
  52. Make Mine Music
  53. The Black Cauldron
  54. Chicken Little
  55. Home on the Range
Here's to the bright future of Disney animation! Tomorrow, the Summer of Magic will come to an official end with Pixar's latest outing, Finding Dory!

-Cody Fleenor